Newsletter 136 📚
🎧 February Playlist (Spotify)
📌 The links
The Designers: PORTO ROCHA’s Maddy Angstreich on remote working, learning to code, and more
Behind the powerful serenity, spirituality and sexuality of Carlota Guerrero
Ghostly with special guests Lichen @ The Lot Radio 07 - 12 - 2021
On Creativity | Claudio Guglieri | Independent Designer and Creative Director
Smart ideas for multiple income streams for graphic designers
The ultimate guide to monochromatic colors in graphic design
We Need Graphic Design Histories That Look Beyond the Profession
Anonymous Camera lets anonymise photos and videos in real time, locally on device
Why is tech illustration stuck on repeat? Ask the overworked, underpaid illustrators
Jay Z and No Age designer Brian Roettinger on music as a 'gateway drug' to design
‘The cover is like a piece of art in itself’: 32 years of Guardian Weekend magazine
Exploring disfluency: Are designers too sensitive to harder-to-read typefaces?
This Experimental Publisher Is Rethinking How Design Books Get Made
Designing with screenshots. Are you an idiot for not doing it?
The Funk Files: A 2001 Mixtape compiled by Egon and Dante Carfagna
Preserving Syrian design history and graphics in the Arab world: Meet the Syrian Design Archive
Prototyping for Voice - Blending Interaction & Conversation Design
Jack Forrest’s daily poster project puts an emphasis on bold typography
VULFPECK with CORY WONG (for the first time) /// Live at the Teragram Ballroom Los Angeles 6-22-16
Millennials Never Wanted Ping Pong Tables At Work — But It’s All We Got
Don Norman, godfather of UX: “Bad design is bad for the planet”
I studied the fonts of the top 1000 websites. Here's what I learned
Type Tuesday: Warhammer III’s Typeface Designed By Pentagram’s Hudson-Powell Is All In The Details